RiTE Media setup a large in house led volume that renders the background real time while tracking with the camera. They brought itaki on board to handle the integration between foreground and background. We pulled off a number of shots using volumetric fog and lights to marry the them together to make the shots foreground and background belong in the same world.
In preparation for building a led volume, RiTE Media created a short film using rear projection and their bolt. First we recorded the camera move. Then we animated the background in C4D. We then played back the rendered clip on the rear projection screen giving the illusion that the set is much bigger than it really is.
Face Replacement test using PF Track 5 and rendered out through Maya. No camera projection and using a simple polygon face.
The Studio Outpost shorts was screened November 16th, 2010. It was a collection of films that members of the Studio Outpost created over the last year. They include; Josh Wilcox’s “Sweatshop”, Dave Bruckner’s “One For The Road”, and Raymond Carr’s “Wild Is The Wind”. ROBOT! is a suite in the Studio Outpost that consistently gets abused for projects from get creatives. Greg Rose, Jason Köch and Michael McReynolds, created this intro for the screening and so ROBOT! could finally sit down, relax and watch a movie. It’s hard work being a ROBOT!
While we completed many of the post effects on Blood Car, this is an example of one of the composites we did.
Find the film on demand or on Netflix.
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