RiTE Media setup a large in house led volume that renders the background real time while tracking with the camera. They brought itaki on board to handle the integration between foreground and background. We pulled off a number of shots using volumetric fog and lights to marry the them together to make the shots foreground and background belong in the same world.
itaki teams up with RiTE Media again for a virtual production showcase. The final piece was includes over an hour of mocap fed into Unreal and then composited on live footage in Nuke. For this job we had to marry mocap takes with dialog takes. Then import tracked cameras from our miniature sets and light our avatar. Finally we’d export an Unreal render to be finally composited in Nuke.
Itaki Design Studio teamed up with MOD and Chris Nalesnik to produce a “one take” hyperlapse music video for Janet Jackson.
Itaki Design joined MOD and Chris Nalesnik to knock out a music video for Jay Rock and Kendrick Lamar. We had the task of creating several different worlds for them to live in. We used a ton of camera tracking and the use of a lot of 3D cards in Nuke to bring all the elements together.
CoolCoolCool was commissioned to produce a “get out the vote” spot by the New Georgia Project. They brought us in to do the post. We decided to go with an early 80’s ESPN vibe. We edited the spot and then created early 80’s style graphics. Then completed the spot by wrapping the whole thing up in a CRT effect.
We Augmented a few shots for a Winn Dixie spot. Mostly adding festive frosty fog which included a bit of camera tracking and volumetrics.
CoolCoolCool productions produced a call your senator PSA. We handled all the post including, editing, VFX, Color correction and sound design.
We were asked to create a magical visual interface for the Veterans Administration’s Health Connect program. We did some 3D camera tracking, added the graphic elements and created the connection effect.
Raymond Carr of Ninja Puppet is making a kids movie where some kids find a crashed spaceship and take it out on some crazy adventures. He asked me to produce a few shots for his feature pilot. He shot the model ship on green and needed it composited into a background photo he had. We blew out the photo into 3D (see below) and produced a bunch of elements to bring the ship to life.
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