RiTE Media setup a large in house led volume that renders the background real time while tracking with the camera. They brought itaki on board to handle the integration between foreground and background. We pulled off a number of shots using volumetric fog and lights to marry the them together to make the shots foreground and background belong in the same world.
itaki teams up with RiTE Media again for a virtual production showcase. The final piece was includes over an hour of mocap fed into Unreal and then composited on live footage in Nuke. For this job we had to marry mocap takes with dialog takes. Then import tracked cameras from our miniature sets and light our avatar. Finally we’d export an Unreal render to be finally composited in Nuke.
In preparation for building a led volume, RiTE Media created a short film using rear projection and their bolt. First we recorded the camera move. Then we animated the background in C4D. We then played back the rendered clip on the rear projection screen giving the illusion that the set is much bigger than it really is.
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